Golden PhilipA live body performance At the Crypt Gallery, St Pancras Church, London Part of Enshrine curated by Rekha Sameer 21 July 2018 |  |
Group Photograph with MirrorsExhibition intervention performance using mirrors and digital camera Part of the exhibition Only The Sunny Hours: Contemporary
Photography with a Brownie 127, Openhand Openspace, Brock Keep,
Reading 23 June 2018 |  |
Undressing NationalityLive body performance with lots of clothes, glasses and drinks Part of PASSPort Britannia, Safehouse
1, London 30 July 2017 |  |
BST Body Silence TimeLive body performance with gold body paint and canvas clock face Part of Festal Favours curated by Clare Carswell, The Charlbury Festival 10 June 2017 |  |
Pour La VieLive body participatory performance with paint and paper Part of Draw/Bridge, Zug/Brücke,
Galerie REMISE, Berlin 30 March 2017 |  |
International Day ReadingsLive performance Part of PAGES - the International Contemporary
Artists' Book Fair at the Tetley, Leeds and at the Bristol Artists Book Event (BABE) at
the Arnolfini, Bristol |  |
Portable Zebra CrossingStreet intervention performance by the Portable Zebra Crossing Association PZCA - Cally Trench, Ann Rapstoff and Philip Lee 5 June 2016 |  |
Baby CakeLive performance with a cake, plates and napkins Part of Art on a Boat on the Peagreen, King's Cross, London curated by Rekha Sameer 30 October 2016 |  |
Peephole HutLive performance by Cally Trench and Philip Lee Performed in evening dress within a black and gold painted cardboard and wood hut Part of Visions in the Nunnery curated by Cinzia Cremona and Tessa Garland at the Nunnery Gallery, Bow Arts, London 17 November 2016 |  |
Unfolding PeacockLive performance including Unfolding Peacock was performed during three events: AMBruno's PAGES: International Contemporary Artists' Book
Fair at The Tetley, Leeds, UK AMBruno Artist collective Show And Tell at Tate
Britain |  |
Accepted RejectedLive naked performance with satchel and cards Part of Homunculus, Asylum, London curated by Rekha Sameer 17 January 2016 |  |
Drawing Hands and FeetPerformance by Cally Trench and Philip Lee During the Open Day of the exhibition 365 Drawings 365
Dessins Curated by Tineke Bruijnzeels 9 May 2015 |  |
Hide and SlipA live body performance with clay and four mirrors Part of Control Room curated by Rekha
Sameer at 23 November 2014 |  |
Campaign for Tiger CrossingsA gallery participatory performance and street intervention by Ann Rapstoff, Cally Trench and Philip Lee Part of the Open Day of the exhibition Curated by Cally Trench 27 September 2014 |  |
Keep Slip OnA live body performance with clay slip and wooden chair Part of the Open Day of the exhibition Curated by Cally Trench 27 September 2014 |  |
Slip and TaffetaLive performance with clay and mars violet pigment Part of Creating A Scene curated by
Jeremy Webster Naomi Law, Oriel Davies 28 June 2014 Including Slab Torsos V |  |
EKWC ResidencyExploring interactions between my body with large quantities of clay slip, in a dedicated space, over two weeks European Ceramics Clay Play EKWC Slip Deluge Coffin Slip Drowning Slip |  |
Slip StrollLive body performance with clay and mars violet pigment by Philip Lee and Cally Trench Part of Creating A Scene, curated by Jeremy Webster and Naomi Law National Centre for Craft and
Design, 24 January 2014 |  |
Sixteen Dada HeadsPerformance Part of 13 July 2013 Also part of 9 March 2014 |  |
Exhibiting Performance ConferenceConvened by Michael Maziere and Philip Lee University of Westminster 1, 2 and 3 March 2013 |  |
Do you remember it - or weren't you there?Exhibition curated by An exhibition of work by artists and writers whose starting point was a live performance by Philip Lee and Cally Trench. London Gallery West 31 January to 3 March 2013 |  |
Multiple SlipLive body performance with clay by Philip Lee performed by Robin George During the opening of Do you remember it - or weren't you there? Curated by Cally Trench and Philip Lee At London Gallery West, Harrow 30 January 2013 |  |
Window SlipA live performance with clay in collaboration with Cally Trench. During The Remarkable Shed Party in Sophie's Shed, Islington, London. Curated by Cally Trench and hosted by Sophie Loss. 15 July 2012 |  |
Zebra Pelican CrossBy Philip Lee, Ann Rapstoff and Cally Trench A live performance and street intervention with body paint and painted canvas. During The Remarkable Shed Party at Sophie's Shed, Islington, London. Curated by Cally Trench and hosted by Sophie Loss 15 July 2012 |  |
Oxford SlipA live performance with clay in collaboration with Cally Trench At the opening of At Play 2012 at OVADA, Oxford. Curated by Cally Trench and Dr Outi Remes 29 June 2012 |  |
Slip and SpongeA live participatory performance with clay in collaboration with Tony Moody At the private view of At
Play 2012, 20 April 2012 |  |
Triple SpinA gallery and street intervention by Ann Rapstoff, Cally Trench and Philip Lee During Remarkable Place at The Keep, Reading, curated by Cally Trench and hosted by OpenHands OpenSpace. 25 March 2012 |  |
Body Cell SlipA durational performance with clay and charcoal Performed throughout Remarkable Place, curated by Cally Trench and hosted by OpenHands OpenSpace at The Keep, Reading, UK 24 March 2012 |  |
Double HelixBy Cally Trench and Philip Lee Live performance with body paint and Duct tape. Part of The Rubik's Cube, curated by Iceberg Fernandez at the Joiners' Arms, Hackney, London 29 January 2012 |  |
Body Body Chair SlipBy Cally Trench and Philip Lee Live performance with clay, black iron oxide and an Ercol chair 12 November 2011 Chair SlipInstallation including - Body Chair SlipBy Cally Trench and Philip Lee video The performance, installation and video were part of The Re… Show curated by Rekha Sameer at Out of the Dark, High Wycombe 12 - 25 November 2011 |  |
Spode SlipBy Cally Trench and Philip Lee A live performance with red and white clay, red and black iron oxides, and three Spode plates At the British Ceramics Biennial, Stoke-on-Trent; part of Live at Spode, and Context and Content - Ceramics Practice as Research Symposium A remnant of the performance continued to be on display at the Spode factory until the British Ceramics Biennial closed two weeks later. 20 October 2011 |  |
Body Body Clay PaneBy Cally Trench and Philip Lee A live performance with clay, red and black iron oxide, and Adam Marsh's ceramics At the private view of A throne is only a bench covered in velvet by Adam Marsh at South Hill Park, Bracknell. Curated by Outi Remes 13 October 2011 |  |
In Praise of Zebra CrossingsBy Cally Trench Ann Rapstoff and Philip Lee A street intervention in Beaconsfield, Buckinghamshire, UK 3 May 2011 |  |
Tied Slip IIBy Philip Lee and Cally Trench A live body performance with clay and black iron oxide Part of Divide and Rule curated by 'Roves and Roams' at The Firestation Centre for Arts and Culture, Windsor 29 April 2011 |  |
Tied Slip IBy Philip Lee and cally Trench A live body performance with clay and black iron oxide Part of Parallels & Connections -International Research Conference on Ceramics and Glass at the National Glass Centre, University of Sunderland 5 April 2011 |  |
Blindfold Slip PrivateA live body private performance with clay In collaboration with Cally Trench At the University of Westminster, Harrow Campus 29 January 2011 |  |
Body Bag PaintA live performance with body paints Performed at the Anthea Turner Prize 2011, curated by Heidi Locher and Simon Moore in Camden, London 23 January 2011 |  |
Blindfold Slip IIIA live body performance and installation Part of Exquisite Stone Corpse - a concatenation - curated by Sophie Loss at The Stone Squid Experimental Art Space, Hastings 23 October 2010 |  |
Blindfold Slip IIA live body performance with clay Part of Performance at the Nunnery: Move Me! curated by Cinzia Cremona and hosted by Visions at the Nunnery 2010. 16 October 2010 |  |
Blindfold Slip IA live body performance with clay At the opening of Benjamin Cohen, a solo show of paintings by Benjamin Cohen curated by HRL Contemporary at The Old Truman Brewery, London 5 October 2010 |  |
Spiral for BrunoA live body performance with black body paint and masking tape In collaboration with Cally Trench A private commission 22 August 2010 |  |
Pillowcase SlipLive body performance with clay and embroidered pillowcase Assisted by Bruce Currie and Cally Trench At the Anthea Turner Prize exhibition and prize giving, Islington, London 24 January 2010 |  |
Corpus Slip IILive performance with clay, mars violet pigment
and paper At the closing event of Corpus, a group show organised by HRL Contemporary at The Old Chapel, St John's Wood, London 15 October 2009 The exhibition included an installation of
twenty-one |  |
Corpus Slip ILive performance with clay Assisted by Tony Moody At the opening of Corpus, a group show organised
by HRL
Contemporary at The Old
Chapel, 29 September 2009 The exhibition included an installation of twenty-one |  |
Slip DippingInteractive participatory action with clay slip and camera Part of Hop Skip - a pop up night of performance and video curated by Martina O'Shea - at Liquid Studios, Hackney Wick, London 31 July 2009 |  |
Colours ITwo-part live performance with white, yellow, red and blue body paints, and water Assisted by Bruce Currie Part of
East Wing Collection VIII - On Time at The
Courtauld Institute of
Art, 25 and 26 April 2009 |  |
Sitting SlipLive performance with clay, wooden chair, suit, shirt & tie At the opening of At Play 1, curated by Cally Trench and Dr Outi Remes at the Bracknell Gallery, South Hill Park, Bracknell, UK 17 April 2009 Installation included the remnants of the performance: clay-marked suit, shirt, and tie, wooden chair, clay foot prints, and 55 minute video. |  |
Stable VILive body performance with inkjet film, clay, water, and yellow ochre and mars violet pigments Assisted by Bruce Currie, Les Armstrong and Alasdair Dewart At the opening of Surface! curated by Cally Trench at The Oxfordshire Museum, Woodstock, UK 4 April 2009 Installation included an inkjet body print on silk, a ceramic full length body (Stable Slab - 2008) and three clay body prints on inkjet film (Stable VI Panels - 2009). |  |
Stable VLive body performance with clay, water, mars violet pigment and three cotton panels - one each of canvas, calico and muslin Assisted by Bruce Currie and Frances Anne Greenough At the opening of On the Surface, curated by Cally Trench at The Parlour, Kentish Town, London 12 December 2008 |  |
White IILive performance with white body paint and water Part of East Wing Collection VIII - On Time at The Courtauld Institute of Art, Somerset House, London 24 and 25 May 2008 |  |
White ILive performance with white body paint and MDF MA Fine Art Degree Show
2007 August/September 2007 Including White 2007 - a two part installation including video, live performance a photograph - assisted by Steve Brown, Bruce Currie and Judy Goldhill |  |
Water ILive performance with water, clay, and pigments Assisted by Bruce Currie Part of ACT ART 5 - Till Death Us Do Art, curated by Olive Frost and Marc Massive at The Arches, London Bridge 8 June 2007 |  |
Stream (Slip XII)Live performance with water and clay Assisted by John Lee Private performance for video camera at the University of Westminster in Harrow April 2007 |  |
Slip XILive performance with clay and water Part of the Central Saint Martins MA Fine Art Interim SHow 2006, "11,472"; curated by Konstantinos Dagritzikos, Caterina Riva, Caroline Soyez-Petithomme, Cadine Navarro, Ana Garcia-Pineda and Yannis Arvanitis; at The Barge House, Southbank, London 25 January 2007 |  |
Slip XLive performance with clay and water Assisted by Judy Goldhill and Stefan Von Lichtenberg Part of the Central Saint Martins MA Fine Art Symposium 2006 at Matt's Gallery, Mile End, London 6 July 2006 |  |
Slip IXLive performance with clay and water Part of Human Technology, curated by Rose Lopes at the Synergy Gallery Camberwell, London 6 July 2006 |  |
Slip VIIILive performance with clay and water At Central Saint Martins, University of the Arts, London 31 May 2006 |  |
Slip VIILive performance with clay Assisted by Bethan Williams Central Station, Kings Cross, London 11 November 2005 |  |
Slip VILive performance with clay, canvas, wax and wood In collaboration with London Gallery West At the opening of Pieces by Eight: New Ceramics, curated by Philip Lee, Anne Jamison and Detta Fane at London Gallery West, University of Westminster, Harrow 15 September 2005 |  |
Slip VLive performance with clay and river silt In collaboration with Lee Merriland and Bruce Currie Part of Fallen Angels, hosted by Paul Burwell at the Kingston Rowing Club, Hull 21 June 2005 |  |
Slip IVLive performance with clay In collaboration with Stephanie Lamb and Bruce Currie Part of May Fete With A Twist curated by Sarah Shorten and Alison Trower at Cecil Sharp House, Camden, London 21 May 2005 |  |
Stable IIILive performance with raw pigment and paper In collaboration with Stephanie Lamb and Bruce Currie Part of May Fete With A Twist curated by Sarah Shorten and Alison Trower at Cecil Sharp House, Camden, London 21 May 2005 |  |
Slip IIILive performance with clay. Part of a performance evening during the exhibition of Hidden Voices by Régine Elliott and Marisol Cavia at the Kingsgate Studio Gallery, London 23 March 2005 |  |
Stable IILive performance with paper and burnt sienna pigment. At the closing performance event of Eros Arrows, a group show part of London Biennale 2004, at The Foundry Gallery, London 28 August 2004 |  |
Slip IILive performance with white slip, wood and canvas. Assisted by Marina Wade Part of soprimaverdada at Area 10, Peckham, London 20 and 27 March 2004 |  |
Stable IPrivate performance body printing with burnt sienna poster paint and vegetable oil Municipal yard, Aylesbury, Buckinghamshire May 2000 |  |
Sand I
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