Philip Lee appeared naked except for a pillowcase covering his
head. Embroidered on the front of the pillowcase was a simple
outline drawing of his own face mostly in black stitches, with a
few grey thread highlights. There were random splashes of white
clay slip covering some of his torso and upper legs.
The requirement of
the Anthea Turner Prize event is that art works should be
anonymous, at least while the audience make their judgements for
the prize. Philip Lee was rendered 'anonymous' by the clay and
pillowcase. Perversely, by concealing his face, he revealed it; by
covering his genitals in clay, he drew attention to them. These two
areas of his body, he has observed during previous live body
performances, were the focus of people's attention.
For Pillowcase Slip he
intentionally ceded control. He was interested in testing the
effect of partially covering his body in clay. In previous
performances he has been completely covered in the slip. While
performingPillowcase Slip, Philip Lee did not speak. Blinded by the
pillowcase, and suggesting a punishment scenario, he was vulnerable
to mistreatment. He needed guidance from the audience as he moved
through the gallery. He was at the mercy of those who attended the
event, whether benign or malicious, kind or cruel.
Philip Lee was assisted in the performance by Bruce Currie
(minder) and Cally Trench (embroidered pillow case, and video)